CHIROT ZERO ZINE--ANNOUNCING NEW BLOG

Dear Followers, Friends, fellow Workers:

I have just begun a new blog/zine called
Chirot Zero Zine A Heap of Rubble--
Anarkeyology of hand eye ear notations
---
http://chirotzerozine.blogspot.com
the blog is more exusively concerned than this one with presenting essays, reviews (inc. "bad reviews") , Visual Poetry, Sound Poetry, Event Scores, Manifestos, Manifotofestos, rantin' & raving, rock'roll, music all sorts--by myself and others--if you are interested in being a contributor, please feel free to contact me at david.chirot@gmail.com
as with this blog, the arts are investigated as a part of rather than apart from the historical, economic, political actualities of yesterday, today, & tomorrow
as with al my blogs--
contributions in any language are welcome

Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... books.google.com/books?isbn=0312263805... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... www.huffingtonpost.com/.../leonard-peltier-american_n_265764.html - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US


Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/


=

Cost of War in Iraq

$691,188,637,164

Cost of War in Afghanistan
$229,137,844,021

The cost in your community

www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual


VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'



Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'


The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.


The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Monday, April 05, 2010

Fernando Aguiar: Reportagem da RTP2






From: fernandoaguiar@netcabo.pt
To: ;
Subject: Reportagem da RTP2
Date: Mon, 5 Apr 2010 17:12:10 +0100

Caros Amigos
 
Junto o link para a reportagem que passou na RTP 2
sobre a exposição "LINGUAGENS D'ESCRTIA(S):
 
 
Não posso mandar o ficheiro com a reportagem
porque é demasiado pesado, têm que fazer o download da internet.
 
Boa Páscoa !
 
Fernando
 
 
 
 


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[Bricup supporters list] newsletter27



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Date: Mon, Apr 5, 2010 at 8:45 AM
Subject: [Bricup supporters list] newsletter27
To:
Cc: bricup@yahoogroups.com


Dear supporter

I have great pleasure in sending you the

latest edition of our newsletter. We hope you are finding these interesting and useful. Please forward them to anyone you think may be interested.

Our editor would be very pleased to receive your feedback and suggestions. We would also be interested receiving short articles about boycott related activities that you know of or are involved in. Send

to newsletter@bricup.org.uk

Contents

The BBC admits its reporting error            p1

 

A BDS Roadshow

Ghada Karmi and Jeff Halper          p2

 

BDS activists gather in Shropshire              p3

 

The PACBI column

 

Delegitimizing Oppression                p3

 

The Medical Boycott Campaign:

A summary                                        p4

 

Margaret Atwood, Say NO

to Prizes from the Israeli Apartheid!            p7

 

A BRICUP statement on BDS                     p8

(March 15th 2010)

 

Financial support for BRICUP                     p8

 

Mike Cushman
for BRICUP

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e-flux journal issue #15 – available now



---------- Forwarded message ----------
From: e-Flux <info@mailer.e-flux.com>
Date: Mon, Apr 5, 2010 at 3:07 AM
Subject: e-flux journal issue #15 – available now
To: david.chirot@gmail.com






April 5, 2010















e-flux journal – issue #15
April 2010


Available online:
http://e-flux.com/journal

Share this announcement on:  Facebook | Delicious | Twitter

In a recent BBC documentary on "objectum sexuals"—people who have loving relationships with inanimate objects—Erika Naisho Eiffel spoke about her love affair with an archer's bow: "We were just such a great team because we had that connection on every single level. I'd almost swear that my blood flowed from my arm and went right into him. And it felt like the molecules in him were flowing right back into my arm."* It's no surprise that, before their love waned, Naisho Eiffel was a record-breaking world champion archer—a love story indeed. But more importantly, Naisho Eiffel's example seems to suggest that we might have gotten our relationship to the material world the wrong way round. Rather than resist the desires that surround the commodity, replacing them with transcendental, immaterial ethical imperatives (which, as we have seen, only lay the groundwork for commodities themselves to dematerialize), what if some kind of ecstatic overidentification with the commodity as material holds the key to its unraveling? Independent of the knowing subject, what secrets lie buried in the object? Maybe we are objects, too.

Hito Steyerl notes that emancipatory movements (feminism or anti-colonial struggles, for example) have always been built around the desire to be a subject—a sovereign, knowing, thinking, independent body. But why not consider being an object for a change? What happens if we work from the premise that we are already objectified, already objects? After all, not only is full-fledged subjectivity accompanied by the enormous burden of having to constantly, reflexively, individuate oneself by re-asserting one's autonomy, this burden itself renders subjecthood, as Steyerl puts it, "always already subjected." To accept being an object might be the beginning of moving beyond heroic expressions of pure, free will, and a means of bearing witness to its wreckage and decay. (see full essay here)

Rather than consider the distinction between an artwork and a "simple thing," Boris Groys suggests that we consider how the avant-garde negotiated—and attempted to cancel—the distinction between the artist and the non-artist. By producing "weak signs," the early avant-gardes attempted to make universally accessible, "messianic" forms that would withstand the shock of contracting, industrialized time, and "triumph over the strong signs of our world—strong signs of authority, tradition, and power, but also strong signs of revolt, desire, heroism, or shock." But now, as even everyday life is absorbed into cycles of permanent change, how can one produce weak gestures capable of withstanding constant renovation, gestures that can themselves absorb this contracting time by refusing to be crystallized as artifacts? (see full essay here)

Gean Moreno looks at the increasing interest over the previous decade or two in recasting the space of the art installation as a question of interior design. While this apparently benign strategy has introduced a number of new methods for articulating shared space and conditioning human interaction in disjunctive, broken, or self-reflexive ways, it seems that the translation of art spaces into designed interiors has suggested the possibility of something unexpectedly more radical. What would it mean then to "apply lethal doses of ambiguity to the very idea of a signature language . . . to shift the points of stress and strain and torque the list of expectations (maybe the call for clarity in terms of brand identity becomes its opposite)"? (see full essay here)

Lars Bang Larsen plays with the zombie as a figure of the mindless persistence of brain-eating capital and purposeless labor. If indeed capital knows nothing of life, then we look to the undead (and unliving) as an aberrational hybrid of living and dead thing, of consumer and commodity. The zombie is a hunger devoid of desire, one that is itself eaten away. It is "a slave morality that makes us cling to capital as though it were our salvation," binding the human together with the thing to embody a walking critique of alienated, dead labor. (see full essay here)

In the second part of his Art and Thingness series, "Thingification," Sven Lütticken looks to the historical precedents that set the stage for the readymade to unleash its own dialectics into the world of reified commodities: after dialectical materialism abolished the idealist duality of subject and object, Lukács' returned to objects as "social things," or quasi-subjects, and Adorno warned against demonizing objects and objectification. As commodity fetishism has become an obvious trap, with entire "new" economies arising to evade the weight of objects and things, so things have responded by asserting their own kind of memory, testifying to how they themselves have been subjected. (see full essay here)

—Julieta Aranda, Brian Kuan Wood, Anton Vidokle


* Married to the Eiffel Tower, BBC, June 4, 2008. Note that the organization Objectùm-Sexuality Internationale firmly denounces the documentary for its "exploitative and sensationalized take on OS." See http://www.objectum-sexuality.org/.









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Sunday, April 04, 2010

George Quasha: Preverbs posting on Rothenberg blog Poems & Poetics



---------- Forwarded message ----------
From: George Quasha <gquasha@stationhill.org>
Date: Fri, Apr 2, 2010 at 11:37 PM
Subject: Preverbs posting on Rothenberg blog Poems & Poetics
To: POETICS@listserv.buffalo.edu


Jerry Rothenberg has posted my "preverbs-complex" called "Things Done for Themselves" on his blog

poemsandpoetics.blogspot.com/

including a "Note on preverbs and axial poetics" which serves as a brief intro to a 12 year project,
now surfacing in an acceptable state.

I have posted an updated version of that Note, so anyone interested might go to:

http://www.quasha.com/poetry/preverbs-and-axial-poems

Some other preverb-complexes are posted there too.

GQ

George Quasha
www.quasha.com
www.baumgartnergallery.net
www.stationhill.org