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Triple Canopy: Issue 10: And Yet It Moves + Triple Canopy's Redesign




Subject: Issue 10: And Yet It Moves + Triple Canopy's Redesign
From: subscribe@canopycanopycanopy.com
To: davidbchirot@hotmail.com
Date: Wed, 17 Nov 2010 11:32:28 -0500

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Triple Canopy, Issue 9

Issue 10: And Yet It Moves
Announcing Triple Canopy's Redesign

Upon the publication of Triple Canopy's tenth issue, we're pleased to introduce readers to a redesigned and reorganized website, which features a new system for viewing articles. Two and half years ago, when designing the first iteration of Triple Canopy, we asked ourselves how we could slow down reading online to create a richer, more coherent experience than existed on the Internet... Read more »

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If you value the work we've been doing and would like to enable us to do more of it—and publish with greater frequency—please consider making a tax-deductible donation online now.




Currently online: Planetarium
by Matt Mullican
Navigating the interplanetary medium: a scale model of the solar system, its major bodies, its empty space. Programmed by Patrick Smith.
She Goes Covered
by Julia Sherman
Following the global hair trade from the braids of Peruvian highlanders to the sheitel machers of Borough Park, Brooklyn.
Happy Moscow
by Sam Frank
From Russia with love? An epistolary romance, with obstructions, between the USA and the former USSR.
Coming soon: Brown Skin, Blue Masks
by Nadja Millner-Larsen, Wazhmah Osman & Danyel Ferrari
The Palestinian resistance, James Cameron's Avatar, and the visual rhetoric of humanitarianism.
Notes in Time
by Nancy Spero with Christopher Lyon
A reanimation of the artist's landmark 1979 work, presented as a continuous scroll. Programmed by Seth Erickson.
whiteonwhite
by Eve Sussman & Rufus Corporation
Six episodes of an algorithmic thriller. Programmed by Joshua Noble.
To Have Is to Owe
by David Graeber
Mesopotamian usury, Vedic accounting, American Jubilee: excavating the history of fiscal debt. Illustrations by Joanna Neborsky.
The Ultimate High Ground
by Steve Rowell
Views of America's infrastructure of omniscience, on Earth and above.
A Forcing of Barriers
by Per-Oskar Leu
A staged encounter between two German artists, a dead state sculptor and a late degenerate painter.
Recent podcasts: Bangkok Is Ringing, Episode 3
by Ben Tausig
In the third episode of this series exploring the politics of urban sound in Bangkok and beyond, Tausig examines the capital's Skytrain, which allows the wealthy to glide above the chaotic streets.
Double Features II
by C. Spencer Yeh
Excerpts of performances from an evening of audio-visual exchange featuring Aaron Dilloway, Invisible Sports, and Ceci Moss & C. Lavender.
Upcoming event: Scale Models
Museum of Contemporary Art Tucson, 197 East Toole Avenue, Tucson, AZ
December 14–20

Triple Canopy will be in residence at the Museum of Contemporary Art Tucson, where it will host a screening of films by Robert Breer, conversations with artists Peter Young and Alex Hay, a discussion of the role of design in the development of new forms of publication, and other public programs.



Triple Canopy is an online magazine, workspace, and platform for editorial and curatorial activities. Working collaboratively with writers, artists, and researchers, Triple Canopy facilitates projects that engage the Internet's specific characteristics as a public forum and as a medium, one with its own evolving practices of reading and viewing, economies of attention, and modes of interaction. In doing so, Triple Canopy is charting an expanded field of publication, drawing on the history of print culture while acting as a hub for the exploration of emerging forms and the public spaces constituted around them. Triple Canopy is a nonprofit 501(c)3 organization.

Triple Canopy gratefully acknowledges The Andy Warhol Foundation for the Visual Arts, The Brown Foundation, Inc. of Houston, The Buddy Taub Foundation, Foundation for Contemporary Arts, Funding Emerging Art with Sustainable Tactics (FEAST), The Jewish Community Foundation of Los Angeles, New York Council for the Humanities, New York State Council on the Arts, and The Prospect Hill Foundation, as well as the many individuals and in-kind contributors who have generously given their support.

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