Dear Followers, Friends, fellow Workers:

I have just begun a new blog/zine called
Chirot Zero Zine A Heap of Rubble--
Anarkeyology of hand eye ear notations
the blog is more exusively concerned than this one with presenting essays, reviews (inc. "bad reviews") , Visual Poetry, Sound Poetry, Event Scores, Manifestos, Manifotofestos, rantin' & raving, rock'roll, music all sorts--by myself and others--if you are interested in being a contributor, please feel free to contact me at
as with this blog, the arts are investigated as a part of rather than apart from the historical, economic, political actualities of yesterday, today, & tomorrow
as with al my blogs--
contributions in any language are welcome

Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US

Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453


Cost of War in Iraq


Cost of War in Afghanistan

The cost in your community

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual

No Sieges, Tortures, Starvation & Surveillance
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'

The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.

The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Monday, November 15, 2010

S.M.A.K. and the Museum of Fine Arts in Ghent present Hareng Saur: Ensor and contemporary art

---------- Forwarded message ----------
From: e-Flux <>
Date: Sat, Nov 13, 2010 at 9:59 AM
Subject: S.M.A.K. and the Museum of Fine Arts in Ghent present Hareng Saur: Ensor and contemporary art

November 13, 2010

S.M.A.K. / Museum of
Fine Arts in Ghent

Raymond Pettibon, "No Title (On paper they)," 2010.
Pen, ink, acrylic and collage on paper, 112 x 81 cm.*

Hareng Saur:
Ensor and contemporary art

31 October 2010 – 27 February 2011

Citadelpark – 9000
Ghent, Belgium

Museum of Fine Arts in Ghent
Scribedreef 1
9000 Ghent, Belgium

Share this announcement on:  Facebook | Delicious | Twitter

The S.M.A.K. and the Museum of Fine Arts in Ghent are joining forces to programme Hareng Saur: Ensor and contemporary art. This exhibition is one of a series of events in Belgium and abroad to celebrate the 150th anniversary of the birth of James Ensor (1860-1949). It takes a distinctly different approach by associating Ensor with the work of contemporary artists.

James Ensor can without hesitation be considered one of the most pioneering artists of the late nineteenth and early twentieth centuries. Recent retrospectives in Paris and New York have confirmed his international importance, but this is by no means new. The international avant-garde already acknowledged Ensor as a pioneer of modern art during his lifetime, witness the visits to his studio in Ostend made by such figures as Wassily Kandinsky, Emil Nolde and others.

Hareng Saur: Ensor and contemporary art takes a new step in the approach to Ensor's oeuvre. The exhibition shows that Ensor has retained his topicality even on today's art scene. He is taken out of his historical context and approached decisively as a timeless artist whose themes and technique are inseparably linked to the practices of many contemporary artists. Even at the start of the twenty-first century, Ensor's subjects and points of view remain resoundingly up to date. Such subjects as the mask and the grotesque, social critique, the self-portrait, the identification with Christ, the masses, satire and death have after all lost none of their relevance in contemporary visual art. The exhibition makes unexpected links and demonstrates that in his visionary oeuvre Ensor pursued a goal that connects him to numerous contemporary artists.

The title of the exhibition comes from Ensor's painting Squelettes se disputant un hareng saur (Skeletons fighting over a smoked herring). The title is an example of Ensor's unique wordplay ('(h)ar-eng saur' = 'art Ensor'), illustrates his very personal humour and at the same time shows that his work contained several layers. The title also contains a concealed reference to the fact that Ensor's work led to controversy among critics during his lifetime. At the start of the twenty-first century his oeuvre provides just as much reason for discussion of its meaning and influence. Hareng Saur: Ensor and contemporary art contributes to a better understanding of his place in the development of present-day art by showing his work alongside that of other artists in a clear, open and vivid exhibition.

In addition to an extensive selection of Ensor's work (paintings, drawings and prints), the exhibition also includes contemporary kindred spirits and counterparts in the genres of painting, sculpture, video, installation, performance, drawing, etc. Ensor's visual world is thereby linked to those of Eija-Liisa Ahtila, Francis Alÿs, Huma Bhabha, Jake & Dinos Chapman, George Condo, Thierry De Cordier, Marlene Dumas, Thomas Hirschhorn, Tomasz Kowalski, Jonathan Meese, Bruce Nauman, Ugo Rondinone, Dana Schutz, Cindy Sherman, Raymond Pettibon, Thomas Schütte, Thomas Zipp and others.

Each of these works is shown in a context where a limited number of works by Ensor is shown as a point of departure. This gives rise to an interaction in which connections are made, confrontations entered into and nuances distinguished.

Hareng Saur: Ensor and contemporary art is on simultaneously in the S.M.A.K. and the Museum of Fine Arts in Ghent. The organisation of the project is under the joint supervision of the directors of the two museums, Robert Hoozee and Philippe Van Cauteren; the exhibition is curated by Johan De Smet and Ronald Van de Sompel.

The exhibition is accompanied by a catalogue that takes an in-depth look at the two angles: contemporary art from an Ensor perspective and vice versa.
Hareng Saur: Ensor and contemporary art, distributed by Ludion, 240 pages, hardcover, ISBN 978-90-5544-843-2.

For more information on the exhibition:
Eline Verbauwhede | T: +32 9 240 76 60 |
Corinne Trop | T: +32 9 240 07 77 |, T: +32 9 240 76 01, T: +32 9 240 07 11
Citadelpark, 9000 Ghent

*Image above:
Courtesy Gladstone Gallery, Brussels – Regen Projects, Los Angeles.

41 Essex street
New York, NY 10002, USA

Contact us

No comments: