CHIROT ZERO ZINE--ANNOUNCING NEW BLOG

Dear Followers, Friends, fellow Workers:

I have just begun a new blog/zine called
Chirot Zero Zine A Heap of Rubble--
Anarkeyology of hand eye ear notations
---
http://chirotzerozine.blogspot.com
the blog is more exusively concerned than this one with presenting essays, reviews (inc. "bad reviews") , Visual Poetry, Sound Poetry, Event Scores, Manifestos, Manifotofestos, rantin' & raving, rock'roll, music all sorts--by myself and others--if you are interested in being a contributor, please feel free to contact me at david.chirot@gmail.com
as with this blog, the arts are investigated as a part of rather than apart from the historical, economic, political actualities of yesterday, today, & tomorrow
as with al my blogs--
contributions in any language are welcome

Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... books.google.com/books?isbn=0312263805... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... www.huffingtonpost.com/.../leonard-peltier-american_n_265764.html - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US


Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/


=

Cost of War in Iraq

$691,188,637,164

Cost of War in Afghanistan
$229,137,844,021

The cost in your community

www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual


VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'



Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'


The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.


The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Saturday, September 18, 2010

Manifesta Journal #9: History in the Present out now



---------- Forwarded message ----------
From: e-Flux <info@mailer.e-flux.com>
Date: Fri, Sep 17, 2010 at 3:26 AM
Subject: Manifesta Journal #9: History in the Present out now
To: david.chirot@gmail.com






September 17, 2010















Manifesta Journal
MJ #9 History in the Present
Out now


www.manifestajournal.org
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Manifesta Journal is an international journal focusing on the practices and theories of contemporary curatorship. It seeks to explore and analyze current developments in curatorial work, in correspondence with the evolution of the Manifesta Biennial over the course of the past editions of the biennial. The main aim of Manifesta Journal is to give a stronger voice to an up-and-coming group of curators, intellectuals, theorists and critics, and to function as a platform for the articulation and discussion of their positions within a pan-European and transcontinental context.

In 2009 Manifesta Foundation initiated the publication of a new series of the Manifesta Journal, starting with an inquiry into the fundamental aspects of curating. MJ #7, The Grammar of the Exhibition, was followed by MJ #8, Collective Curating, an issue anticipating the curatorial model of the upcoming Manifesta 8, which will open on October 9, 2010.

Manifesta Foundation is now proud to present:

Manifesta Journal #9: History in the Present

Exhibitions are, by definition, ephemeral. They experience time dramatically. While the works displayed are usually destined to endure, the exhibition itself is condemned to disappear. From a historical perspective, the most authentic locus of an exhibition is arguably in the viewer's memory. Not all exhibitions, however, are granted a place in history.

Is it true that the life of a work of art is phenomenologically autonomous from its contextual presentation in an exhibition? Is the exhibition a self-sufficient text that inevitably presumes that, after the exhibition, each work loses the particular meaning it had in the exhibition's chain of signifiers?
And is it really true that the locus of the show is properly in the present (or in any actual time, for that matter)? Perhaps the temporality of an exhibition is more complex. Today, artistic sensibility seems imprisoned in the present, experiencing nostalgia for the future and dwelling on potentialities of the past. One of the paradoxical tasks of the contemporary curator might thus be to present a historical retrospective of context-dependent art, and thereby to defend the radicality of archival artworks.

An exceptional group of authors has been invited to contribute to the current Manifesta Journal issue, which provides the reader with a differentiated view on the topic of the History in the Present.
Within the section Positions, Mihnea Mircan discusses contemporary artistic and curatorial practices with regard to their mechanisms for processing art history, and suggests that artworks can function as historical objects as well as sites that forecast the future understanding of art. In the section Discourse, Stefan Heidenreich deals with the paradox of eternal contemporaneity, whereas Boris Groys' essay interrogates the definition of contemporary art through the "excessive" or suspended time of time-based art.

Dialogues features an interview with Seth Siegelaub, one of the first independent curators and a chief proponent of conceptual art in the late 1960s. Within the section Studies, Sven Spieker equates curating with a pre-modern understanding of storytelling. The section Documents presents a reprint of a text by Marga van Mechelen in which she discusses three exhibitions that questioned the presentation of contemporary art in the late 1980s. Finally, Chiara Bertola provides an insight into the curatorial practice of the institutional space of the museum, drawing on the example of the Fondazione Querini Stampalia in the section Practice.

MJ #9 includes contributions by: A*Desk, Zeigam Azizov, Chiara Bertola, Dessislava Dimova, Petja Grafenauer, Boris Groys, Stefan Heidenreich, Giovanni Iovane, Marga van Mechelen, Mihnea Mircan, Seth Siegelaub, Elena Sorokina, Sven Spieker and Nathalie Zonnenberg

The editorial team of Manifesta Journal is composed of:

Chief Editor: Viktor Misiano, Moscow (RU)
Senior Editor: Nathalie Zonnenberg, Amsterdam (NL)
Associate Editor: Filipa Ramos, Milan (I) / London (UK)
Managing Editor: Lisa Mazza, Amsterdam (NL) / Bolzano (I)
Copy Editor: Joanna Fiduccia, New York (USA)

Manifesta Journal is an initiative of the Manifesta Foundation, Amsterdam and is published together with Silvana Editoriale, Milano.

Previous Issues
MJ #7 The Grammar of the Exhibition
MJ #8 Collective Curating

Upcoming Issue
MJ #10 The Curator as Producer

Reprint
The reprint of the first series of Manifesta Journal in the format of two books (MJ #1-3 and MJ #4-6) is available. For further information, please contact Lisa Mazza (Managing Editor): lisa@manifesta.org

For subscriptions & general information

Manifesta Foundation
Prinsengracht 175 hs
1015 DS Amsterdam
The Netherlands
E-mail: subscription@manifesta.org
Tel: +31 20 672 1435
www.manifestajournal.org

For orders

Silvana Editoriale
Via Margherita de Vizzi, 86
20092 Cinisello Balsamo (Milano)
Italy
Barbara Belloli
E-mail barbara.belloli@silvanaeditoriale.it
Tel: +39 02 61836394
www.silvanaeditoriale.it

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