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Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)
Injustice Continues: Leonard Peltier Again Denied Parole
Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"
US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US
Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/
Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/
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Cost of War in Iraq
$691,188,637,164
Cost of War in Afghanistan
$229,137,844,021
The cost in your community
www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182
flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture
flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO
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VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA
Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'
The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"
This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.

The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)
I didn't want to leave, it was such a relaxing place, so calm and beautiful.
Saturday, November 07, 2009
Goldstone and Gaza By Jimmy Carter
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Call for Work: Unlikely Stories of the Third Kind
/Unlikely Stories of the Third Kind/, the physical embodiment of all that is UnlikelyStories.org, is now accepting submissions! It will include a CD (suitable for playing in a computer or traditional player), a DVD (suitable for playing in a computer or traditional player), and 400 pages of poetry, fiction, creative non-fiction, essays, reviews, interviews, and visual art, both in color and black-and-white.
/Unlikely Stories of the Third Kind/ will /not/ be a periodical. I don't know if we'll ever attempt something like this again, but we sure as shit won't on this side of the Mayan calendar. So check out the guidelines at http://www.unlikelystories.org/printsubmissions.shtml and get those submissions in, folks. It will truly be better than sex with Jesus.
And hey! Did you know that The First Annual WRITE REAL GOOD Poetry Chapbook Contest is still open? Check out http://www.unlikelystories.org/writerealgood1.shtml
Happy thoughts and sad angry poems,
--
Jonathan Penton
http://www.unlikelystories.org/
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The Poetics List is moderated & does not accept all posts. Check guidelines & sub/unsub info: http://epc.buffalo.edu/poetics/welcome.html
AMIRA HASS: On Israel's 'Domination and Its Intoxications'-- AMIRA HASS
AMIRA HASS | Accepting the International Women's Media Foundation lifetime achievement award, Amira Hass decries the "official language" that allows her fellow Israelis to avoid reality.
NSA: Fall of Berlin Wall Caused Anxiety More than Joy at Highest Levels
From: National Security Archive <archive@gwu.edu>
Date: Sat, Nov 7, 2009 at 6:46 AM
Subject: Fall of Berlin Wall Caused Anxiety More than Joy at Highest Levels
To: NSARCHIVE@hermes.gwu.edu
National Security Archive Update, November 7, 2009
Fall of Berlin Wall Caused Anxiety More than Joy at Highest Levels
Secret Documents Show Opposition to German Unification
For more information contact:
Svetlana Savranskaya/Thomas Blanton - 202/994-7000
http://www.nsarchive.org
Washington, DC, November 7, 2009 - The fall of the Berlin Wall 20 years ago generated major anxiety in capitals from Warsaw to Washington, to the point of outright opposition to the possibility of German unification, according to documents from Soviet, American and European secret files posted on the Web today by the National Security Archive.
Solidarity hero Lech Walesa told West German chancellor Helmut Kohl on the very day the Wall would fall that "events in the GDR [East Germany] are developing too quickly" and "at the wrong time," that the Wall could fall in a week or two (it would be a matter of hours) and then Kohl and the West would shift all their attention and aid to the GDR, leaving poor Poland "in the background." And indeed, Kohl cut short his visit to Warsaw and flew back to Germany as soon as the news arrived of the breach of the Wall.
British prime minister Margaret Thatcher earlier had told Soviet general secretary Mikhail Gorbachev that "Britain and Western Europe are not interested in the unification of Germany. The words written in the NATO communique may sound different, but disregard them." Top Gorbachev aide Anatoly Chernyaev concluded that Thatcher wanted to prevent unification "with our hands" and not her own.
For more information, visit the Archive Web site:
http://www.nsarchive.org
________________________________________________________
THE NATIONAL SECURITY ARCHIVE is an independent non-governmental research institute and library located at The George Washington University in Washington, D.C. The Archive collects and publishes declassified documents acquired through the Freedom of Information Act (FOIA). A tax-exempt public charity, the Archive receives no U.S. government funding; its budget is supported by publication royalties and donations from foundations and individuals.
Human Rights Watch: Afghans Deserve Change | Iran: Juveniles Sentenced to Death
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WUK: And Then Nothing Turned Itself Inside Out
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WUK - Kunsthalle Exnergasse, Vienna | |||
![]() Ben Cain All Gold Melts, 2009 | | And Then Nothing Turned Itself Inside Out / 2nd chapter on stories and the 'immemorable' / October 28 - November 20, 2009 WUK - Kunsthalle Exnergasse, Vienna http://www.wuk.at | |
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| Rosa Barba, Ann Böttcher, Ben Cain, Tina Gverovic, Sven Johne, Kristina Kvalvik, Anders Kreuger, Marko Tadic, Slaven Tolj, Judi Werthein Curated by Antonia Majaca and Ivana Bago @ Institute for Duration, Location and Variables (DeLVe) http://www.delve.hr The exhibition And Then Nothing Turned Itself Inside Out is the second part of the trilogy that explores the relation between narrative structures and the notion of the 'immemorable' and which began with the exhibition Stalking with Stories: The Pioneers of the Immemorable at Apexart, New York, 2007. In the book Idea of Prose G. Agamben defines the 'immemorable' as that which 'skips from memory to memory without itself ever coming to mind [and which] is, properly speaking, the unforgettable.' This immemorable, or unforgettable, is an unconscious element that infiltrates the conscious memory and creates an involuntary memory. In Michael Hanake's film Caché, the viewer finds himself in the midst of following a thriller story, a sort of an Agatha Christie plot, which develops around a quest for the mysterious sender of videotapes, disturbing the everyday life of what seems to be an ordinary French citizens and his family. The quest remains unsolved, the sender never identified, and the viewer's expectations are played out as she realizes that behind the surface of the plot, an entirely different drama had been taking place – the drama of colonization, dispossession, predetermined disposif of power relations and collective European guilt. The exhibition And Then Nothing Turned Itself Inside Out explores the relations between the uncanny and the immemorial through similar tensions resulting from points of ruptures between dominant and visible narratives, collective truths and that which is suppressed in order to keep them together; it enlights cracks in the surfaces, the moments of clash between the visible and the hidden, between the articulated and the silenced, but also between the possibility and impossibility of articulation. All works are ventures into story-telling and story-uncovering, ranging from micro-narratives to exploring the ways how these are intertwined with collective and national histories and geopolitical contingencies and how their voicing can disclose and subvert neocolonial imperatives of political domination, economic exploitation and cultural erasure. The exhibition creates a cartography of questioning the Western cultural values of truth and progress as well as the historical narrative manipulated by suppressed and unknown memories. For many works in the exhibition, the storytelling they develope is just a method of searching for the invisible, the unspoken; it encourages the viewer to detect what is below the surface. In this way, the uncanny and sudden confrontations with the inner spaces of trauma, both past and present, become obvious, simultaneously unveiling immemorial geographies and histories that have never entered the dominant narratives. The exhibition is developed through the Institute for Duration, Location and Variables (DeLVe) and supported by The Ministry of Culture, Austria; City of Vienna, City of Zagreb, Foundry Ujevic | |||
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Darger and Tattoos: Learn More at Intuit
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Intuit: The Center for Intuitive and Outsider Art | 756 N. Milwaukee Avenue | Chicago | IL | 60642 |



Beijing's Abuses Affect Many Issues the United States Holds Dear
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