CHIROT ZERO ZINE--ANNOUNCING NEW BLOG

Dear Followers, Friends, fellow Workers:

I have just begun a new blog/zine called
Chirot Zero Zine A Heap of Rubble--
Anarkeyology of hand eye ear notations
---
http://chirotzerozine.blogspot.com
the blog is more exusively concerned than this one with presenting essays, reviews (inc. "bad reviews") , Visual Poetry, Sound Poetry, Event Scores, Manifestos, Manifotofestos, rantin' & raving, rock'roll, music all sorts--by myself and others--if you are interested in being a contributor, please feel free to contact me at david.chirot@gmail.com
as with this blog, the arts are investigated as a part of rather than apart from the historical, economic, political actualities of yesterday, today, & tomorrow
as with al my blogs--
contributions in any language are welcome

Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... books.google.com/books?isbn=0312263805... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... www.huffingtonpost.com/.../leonard-peltier-american_n_265764.html - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US


Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/


=

Cost of War in Iraq

$691,188,637,164

Cost of War in Afghanistan
$229,137,844,021

The cost in your community

www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual


VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'



Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'


The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.


The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Monday, March 02, 2009

The Russian Schizorevolution at Marres, Centre for Contemporary Culture








February 28, 2009






Marres,
Centre for Contemporary Culture



Credits: Johannes Schwartz



Marres presents:
The Russian Schizorevolution:
an exhibition that might have been
A reconstruction by Marta Volkova and Slava Shevelenko

March 1st - May 31st 2009


Marres,
Centre for Contemporary Culture

Capucijnenstraat 98
6211 RT Maastricht
The Netherlands
http://www.marres.org

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Opening: Saturday February 28th at 5 p.m.

With the project focussing on the flaneur, Marres completed her inquiries into the 19th century and aims her ambition at the 20th century and the idea of the avantgarde. First of all, Marres points her attention to an avantgarde from Leningrad/St. Petersburg, which was active from 1985 to 1995. Marta Volkova and Slava Shevelenko are, both as curator and artist, the protagonists within this project.

In the anniversary year of the Futuristic Manifest the choice for Futurism would be a logical first option, but this could give the impression that the avantgarde can only be approached as an art historical phenomenon from a chronological perspective. For Marres the central question of actuality results in a perspective where it becomes possible, from an anthropological point of view, to unveil the system of production, distribution and reflection within art and design as well as to add to their questions. Starting from this notion, the somewhat more generic idea of the avant-garde as a radical fracture with an accepted system of values - an 'Umwertung aller Werte' - will be the first focus. Not the idea of movement or of classification, nor the perspective on the avant-garde as a utopia or dystopia has the interest; for Marres the attention is drawn to the shift itself, to the fracture as a productive force and to the potentiality referred to time and time again in a constan tly renewing system of art and design.

First of all, Marres points her attention to an avant-garde from Leningrad/St. Petersburg, which was active from 1985 to 1995. In Western Europe this group is recognized as the start of the 'Gorbi-art'. After a short hype this avant-garde is more or less forgotten in the West of Europe and the group of artists and activists are often merely seen as providing a context for the members with an international status like Timur Novikov, the most important protagonist, who currently has a solo-exhibition in the Hermitage. In retrospect this period can be seen as the beginning of the end of a world power and the communist ideology connected to it. It is beyond doubt that the small group of artists and activists from that city contributed an important part to the collective consciousness, which is so specific for this period of time and which is seen as a fundamental force behind this revolution. Coincidentally, two members of this avantgarde (Marta Volkova and Slava Shevelenko) have been living in Maastricht for some years, giving these 'local' artists the opportunity to materialise The Russian Schizorevolution, and to transform Marres step by step into a 'total installation' in the spirit of Ilya Kabakov.

Volkova and Shevelenko opted for an approach in which the idea of reconstruction takes a central place. The Russian Schizorevolution is, for Volkova and Shevelenko, a reconstruction of an exhibition that never took place, but that could have taken place. The different artistic strategies of the avant-garde of St. Petersburg from an era that can be described as bureaucratic as well as despotic, are taken here to their full potential in order to show the complex, but at the same time merry play with authorship and signature of this specific avantgarde.

With Lena Borsh, Sergei Bugaev (Afrika), Vita Buivid, T. Ebruoc, Denis Egelsky, Andrei Khlobystin, M. Killer, Evgeny Kondratiev, Oleg Kotelnikov, Vladislav Mamyshev-Monroe, Timur Novikov, Vadim Ovtchinnikov, Inal Savtchenkov, Slava Shevelenko, Ivan Sotnikov, Marta Volkova, and Oleg Zaika.

Thomas Campbell, Andrey Khlobystin, and Ekatarina Andreeva have written an essay for this exhibition. These three essays form a prepublication of the exhibition catalogue that will be published later.

Marres, Centre for Contemporary Culture
Capucijnenstraat 98
6211 RT Maastricht
The Netherlands
http://www.marres.org
Open: Wed-Sun 12-5 pm










41 Essex street
New York, NY 10002, USA

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