Free Leonard Peltier

Free Leonard Peltier
The government under pretext of security and progress, liberated us from our land, resources, culture, dignity and future. They violated every treaty they ever made with us. I use the word “liberated” loosely and sarcastically, in the same vein that I view the use of the words “collateral damage” when they kill innocent men, women and children. They describe people defending their homelands as terrorists, savages and hostiles . . . My words reach out to the non-Indian: Look now before it is too late—see what is being done to others in your name and see what destruction you sanction when you say nothing. --Leonard Peltier, Annual Message January 2004 (Leonard Peltier is now serving 31st year as an internationally recognized Political Prisoner of the United States Government)

Injustice Continues: Leonard Peltier Again Denied Parole

# Injustice continues: Leonard Peltier denied parole‎ - By Mahtowin A wave of outrage swept the progressive community worldwide at the news that Native political prisoner Leonard Peltier was denied parole on Aug. ... Workers World - 2 related articles » US denies parole to American Indian activist Leonard Peltier‎ - AFP - 312 related articles » # Free Leonard Peltier 2009 PRISON WRITINGS...My Life Is My Sun Dance Leonard Peltier © 1999. # Prison Writings: My Life Is My Sun Dance - by Leonard Peltier, Harvey Arden - 2000 - Biography & Autobiography - 272 pages Edited by Harvey Arden, with an Introduction by Chief Arvol Looking Horse, and a Preface by former Attorney General Ramsey Clark. In 1977, Leonard Peltier... books.google.com/books?isbn=0312263805... - # Leonard Peltier, American Indian Activist, Denied Parole And Won't ... Aug 21, 2009 ... BISMARCK, ND — American Indian activist Leonard Peltier, imprisoned since 1977 for the deaths of two FBI agents, has been denied parole ... www.huffingtonpost.com/.../leonard-peltier-american_n_265764.html - Cached - Similar - #

Gaza--War Crime: Collective Punishment of 1.5 Million Persons--Recognized as "The World's Largest Concentration Camp"

Number of Iraquis Killed Since USA 2003 Invasion began

Just Foreign Policy Iraqi Death Estimator

US & International Personnel losses in Iraq &Afghanistan; Costs of the 2 Wars to US


Number of U.S. Military Personnel Sacrificed (Officially acknowledged) In America's War On Iraq: 4,667
icasualties.org/oif/

Number Of International Occupation Force Troops Slaughtered In Afghanistan : 1,453
http://icasualties.org/oef/


=

Cost of War in Iraq

$691,188,637,164

Cost of War in Afghanistan
$229,137,844,021

The cost in your community

www.nationalpriorities.org/index.php?option=com_wrapper&Itemid=182

flickr: DEATH FROM THIS WINDOW/DOORS OF GUANTANAMO--Essays, Links, Video-- US use of Torture

VISUAL POETRY/MAIL ART CALL Cracking World’s Walls & Codes Concrete & Virtual

Cracking World’s Walls & Codes Concrete & Virtual


VISUAL POETRY/MAIL ART CALL
No Sieges, Tortures, Starvation & Surveillance
GAZA-GUANTANAMO-ABU GHRAIB—THE GLOBE
Deadline/Fecha Limite: SinsLimite/ongoing
Size: No limit/Sin Limite
No Limit on Number of Works sent
No Limit on Number of Times New Works Are Sent
Documentation: on my blog
http://davidbaptistechirot.blogspot.com
Addresses: david.chirot@gmail.com
David Baptiste Chirot
740 N 29 #108
Milwaukee, WI 53208
USA

Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'



Miss Universe Visits Guantanamo: 'A Loooot Of Fun!'


The current 'Miss Universe' Dayana Mendoza (formerly Miss Venezuela) and 'Miss America' Crystal Stewart visited US troops stationed in Guantanamo Bay on March 20th, the New York Times reports. Here's Mendoza's account of the visit from her pageant blog last Friday. She says the trip "was a loooot of fun!"

This week, Guantánamo!!! It was an incredible experience...All the guys from the Army were amazing with us. We visited the Detainees camps and we saw the jails, where they shower, how the recreate themselves with movies, classes of art, books. It was very interesting. We took a ride with the Marines around the land to see the division of Gitmo and Cuba while they were informed us with a little bit of history.


The water in Guantánamo Bay is soooo beautiful! It was unbelievable, we were able to enjoy it for at least an hour. We went to the glass beach, and realized the name of it comes from the little pieces of broken glass from hundred of years ago. It is pretty to see all the colors shining with the sun. That day we met a beautiful lady named Rebeca who does wonders with the glasses from the beach. She creates jewelry with it and of course I bought a necklace from her that will remind me of Guantánamo Bay :)

I didn't want to leave, it was such a relaxing place, so calm and beautiful.

Tuesday, November 10, 2009

MuzzleWatch (also many other articles & videos) - Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance






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  1. Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance
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Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance

Published on Monday, November 9, 2009 by The Palm Beach Post (Florida)
Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance
by George Bennett
U.S. Rep. Dennis Kucinich lasted less than 24 hours as headliner for the Palm Beach County Democratic Party's annual fundraising dinner after some of the party's elected officials blasted the Ohio Democrat's stance on Israel and threatened to skip the event.
Kucinich, who has a history of criticizing the actions of the Israeli government and opposing congressional resolutions in support of Israel, withdrew Friday as the keynote speaker for next week's dinner after being announced Thursday.
The liberal former presidential candidate had been called in as a last-minute replacement for moderate Louisiana Sen. Mary Landrieu. Landrieu was dropped as keynoter this week because party activists were upset by her refusal to commit to blocking a Republican filibuster of health care overhaul legislation.
While Landrieu was the target of behind-the-scenes grumbling, Kucinich sparked public revolt.
State Rep. Kevin Rader, D-Delray Beach, said Friday he was withdrawing his pledge to buy a $1,500 table for the dinner and would encourage other Democrats to boycott the event because of Kucinich's record on Israel.
State Sen. Ted Deutch, D-Boca Raton, who's running for the seat that U.S. Rep. Robert Wexler is vacating, called Kucinich "someone whose position on Israel stands in total opposition to the conscience of this community."
County Commissioner Burt Aaronson called the selection of Kucinich "an absolute horror" and said he would refuse to share the podium with him.

Kucinich has opposed sanctions against the anti-Israel government of Iran. In January, he was one of only five House members to vote against a resolution condemning Hamas rocket attacks on Israel and reaffirming Israel's "right to act in self-defense to protect its citizens against Hamas's unceasing aggression."
Kucinich said Friday in an e-mail to county Democratic Chairman Mark Alan Siegel that he supports the Jewish state and its right to defend itself and said his critics are "falsely characterizing me as 'anti-Israel.' "
But Kucinich said he did not want the controversy surrounding him to hinder the party's ability to raise money, so he would "humbly withdraw."
Siegel said the decision to invite Kucinich was made by a "leadership circle" of about 20 people and no one raised concerns about Kucinich's record on Israel.
Siegel heard those concerns Friday.
"People feel he's anti-Israel. I don't read it that way, but the leadership of AIPAC (the American Israel Public Affairs Committee) and other elements of the Jewish community do and I don't want to get into an argument with them," said Siegel, who is Jewish.
Siegel said he doesn't know who the party will get as a keynote speaker for the dinner, which is scheduled for Nov. 14 at the Palm Beach County Convention Center.
The event has traditionally been called the Jefferson-Jackson dinner, but the name was changed this year to the Truman-Kennedy-Johnson dinner because of qualms among party activists about Thomas Jefferson's slave ownership and Andrew Jackson's Indian-removal policies.
Siegel said the nixing of two keynote speakers this week shows party leaders are listening to the concerns of Democrats.
"In both cases, the same thing happened," Siegel said. "We responded to complaints from important elements of our constituency and neither one of them is speaking."



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REDFOSFORO-- Boletín nº 34 Noviembre.09




From: info@redfosforo.org
To: davidbchirot@hotmail.com
Subject: Boletín nº 34 Noviembre.09
Date: Tue, 10 Nov 2009 14:19:36 +0100

 
 

 

cruzrf.gifLA PISCIFACTORÍA
Taller de ilustración para niños
 

 

 



.

TALLER CREATIVO DE ILUSTRACIÓN DE CUENTOS
(PARA NIÑOS)
 Sábado 14 y domingo 15 de noviembre de 2009
17-19 h. (de 5 a 7 años) o 17-20 h. (de 8 a 12 años)
Profª.: María Espejo
70 € (de 5 a 7 años), 80 € (de 8 a 12 años)
+ info

 

 
 
Ilustrar cuentos no es solo un ejercicio plástico y creativo, sino que requiere un intensa tarea de análisis y potencia la lectura comprensiva. Para poder ilustrar un cuento es esencial comprenderlo.
Los asistentes al taller ilustrarán diversas historias de la mitología griega como Perseo y la Gorgona, Orfeo y Eurídice o el laberinto del Minotauro.
Todos los materiales están incluidos en el precio (témperas, pinceles, lápices, etc.)

 

Objetivos:
  • Que los niños ilustren un cuento aportando su visión personal.
  • Realizar un trabajo de lectura comprensiva, ya que ilustrar un texto es una manera de comprenderlo y analizarlo de tal forma que sean capaces de contarlo en imágenes.
  • Enseñarles qué es una  portada y cómo elegir la imagen que va en ésta.  
 
***

María Espejo nace en Cádiz, en 1981. Su entusiasmo desde niña por dibujar (a los siete años ya fabricó su primer cuento con "pop-up") la llevan a trasladarse a Madrid en 2004, con la intención de abrirse camino como ilustradora. Desde entonces ha ido transformando su sueño en una profesión y se dedica por entero a ilustrar, especialmente para el público infantil y juvenil. Ha trabajado para editoriales como Alfaguara, Parramón, ediciones Akal o Hiperión. Colabora con la Junta de Andalucía en la realización de exposiciones y ofreciendo charlas en colegios. Ha impartido gran variedad de cursos y talleres en espacios como la Universidad de Almería, el Centro Cívico Los Pinos de Alcorcón y el Centro de Arte Moderno de Madrid.


la piscifactoría
c/ delicias, 41
madrid
 

+ info y otros talleres y seminarios: www.lapiscifactoria.com
 
 
 


 
cruzrf.gifNATURALMENTES
Presentación en Costa Rica y Nicaragua

 
 
 
NATURALMENTES nace y se desarrolla en el marco de un programa de actividades más amplio, ideado y organizado por Marina Mantini. El programa persigue un objetivo tan prioritario como necesario en el escenario actual: introducir la problemática ambiental en la programación cultural. En el caso de esta primera versión original de EL MUNDO ESTÁ BIEN HECHO, se han unido las líneas estratégicas de programación para países en vías de desarrollo con un taller interactivo multimedia con fines educativos, a partir de una idea del poeta, actor y filólogo Gonzalo Escarpa, a quien se han unido diferentes activistas que han colaborado a dar forma al proyecto definitivo. En esta ocasión las representaciones corren a cargo de Florencia Saraví y Gonzalo Escarpa.
 

PRESENTACIONES
17 y 18 de noviembre de 2009: Managua, Nicaragua
19 y 21 de noviembre de 2009: San José, Costa Rica
 
 
 
 
 
 
 

 
 

cruzrf.gifLITERATURAS.COM
Nueva edición y premio Faroni

 

 

 


Se acaba de publicar la edición de noviembre de la revista Literaturas.com

 

Y sigue abierto el plazo para participar en el XXII Premio Internacional de Relato Hiperbreve Círculo Cultural Faroni 2009
Bases: http://portal.bibliotecasvirtuales.com/es/foros/xvii-premio-internacional-de-relato-hiperbreve-circulo-cultural-faroni-2009

 

 

 

 

 
 

 


Conforme a la Ley de Servicios de la Sociedad de la Información y de Comercio Electrónico, y a la vigente Ley Orgánica 15, de 13 de diciembre de 1999, de Protección de Datos española, le informamos de que su dirección de correo electrónico está incluida en nuestra base de datos, ya que usted o alguien que le conoce así lo ha solicitado.

Si no desea seguir recibiendo información relacionada con el colectivo RedFósforo, por favor, envíe un mensaje haciéndolo constar a info (a) redfosforo.org. Asunto: BAJA. Gracias.



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The Nation: Stupak Stupor EMILY DOUGLAS

Stupak Stupor
EMILY DOUGLAS | A quick primer on what the Stupak-Pitts Amendment actually means for any woman accessing healthcare through health insurance exchanges.

JPN/Haaretz: The Pathology of State Victimhood



Henry Siegman, former executive director of the American Jewish Congress and of the Synagogue Council of America, is an ordained Orthodox rabbi, and currently president of the US Middle East Project; he has authored numerous articles on the Israeli-Palestinian conflict (see, for example, his noted 2007 critique of peace negotiations under President George W. Bush and Israeli Prime Minister Ehud Olmert, "The Great Middle East Peace Process Scam" <http://bit.ly/1nyhfw>). In the following essay, he responds to Ha'aretz columnist Bradley Burston's recent charges that Siegman's views make him an Israel-hater.

Siegman's offense, in Burston's view, was to have claimed recently in the New York Times <http://bit.ly/btOsd> that Israelis dislike President Barack Obama because they fear that he "is serious about ending Israel's occupation of the West Bank and Gaza." More fundamentally, Siegman asserted in the Times article, Israelis' refusal to support ending the occupation and removing illegal settlements demonstrates that they are unable "to adjust to the Jewish people's reentry into history with a state of their own following 2,000 years of powerlessness and victimhood." In light of such commentary, Burston claims that Siegman inexcusably must believe that there is something "fundamentally defective" about the Israeli people themselves.

In his response, published in Ha'aretz <http://bit.ly/2VQgQS>, Siegman counters that Ha'aretz's Burston himself has repeatedly made similar points about Israel's dysfunctional approach to negotiations: Israelis are resorting to their "aging instincts" in defining the conflict with the Palestinians in terms of the Holocaust, Burston has argued in the past, and Israeli politicians are willing to portray any compromise as a potentially mortal sacrifice, thereby negating the need to ease the suffering of others. Siegman says this sense of victimhood is called "galut [diaspora] mentality" in Israel; I say it should really be called "bunker mentality," to indicate the hypermilitarized doctrine that has arisen in tandem with the messianic territorial claims of the Greater Israel ideology.

Most crucially, Siegman reiterates the extent to which Israeli negotiations have relied on public declarations of sincerity accompanied by duplicitous state-supported expansion of settlements. Regarding Gaza, Siegman excoriates Jewish and Israeli leaders for having disputed the veracity of the Goldstone fact-finding report, even though the deteriorating conditions Israel imposed on Gaza during the preceding ceasefire renders hollow its excuse to have launched the assault defensively. This, too, Burston himself earlier had affirmed, against the spin emanating from the Israeli government and media, in reporting the accusations of Israeli Brigadier-General Shmuel Zakai. Zakai, who commanded the IDF's Gaza division, minced no words: Israel had stoked Palestinian outrage during the period of truce. As Zakai put it clearly, "You cannot just land blows, leave the Palestinians in Gaza in the economic distress they're in, and expect that Hamas will just sit around and do nothing."

The current Israeli government has refused to consider anything like a viable state for Palestinians, and has rejected even the minimal compromises previous governments had considered, while settlement construction continues at a torrid pace. This is evidence that Israel is not committed to a realistic peace settlement, despite its soothing public pronouncements. "If Israeli policy had truly aimed at a two-state solution, it could and would have happened long ago. Nothing would have more encouraged Palestinian efforts to overcome their many shortcomings, or to oppose their rejectionist groups, than a credible Israeli commitment to such a state." In this context, "blaming Palestinians for their misery," as Burston recommends, "is nothing more than a pretext for the continuation of a colonialist enterprise."

Siegman, who is known internationally as one of the most well-informed commentators on the Middle East, has not "gone off the rails," as Burston claims. He has spoken honestly at a time when, as Judge Richard Goldstone also knows, truthfulness and objectivity are not politically desirable qualities.

--Lincoln Z. Shlensky


--------------------------------------

<http://www.haaretz.com/hasen/spages/1126910.html>
Response / Henry Siegman on Burston and 'Israel's pathology'

By Henry Siegman


The following is a response by Henry Siegman to Bradley Burston's column 'Why do Israelis dislike Barack Obama?' <http://bit.ly/1oCrfO>


Bradley Burston is offended by my characterization of Israel's inability to let go of the occupied territories as a pathology, a characterization he says can only be made by someone who hates Israelis.

Perhaps to soften the blow, Burston also wrote (rather bizarrely, I thought) in his column of November 3, 2009 that "No one, not even the Palestinians, hates Israelis the way Israelis do." However, in the version of his article that appeared the following day, the sentence was omitted.

The pathology I described is invoked most frequently by Israelis themselves. The term for it in Israel is a "galut [diaspora] mentality," the tendency of diaspora Jewry to see itself as friendless, isolated, and always at the edge of a looming pogrom.

No one has described this pathology better than - guess who? - Bradley Burston, in an earlier column (October 20, 2009) in which he criticized an "Israeli approach which borrows from the very worst of our aging instincts. It says: We're moral, our enemies are out to exterminate us along with our state, that's all you need to know. No modifications necessary. Stay the course. Concede nothing. Ease no siege. Give no ground. Ever."

If that is not a perfect description of a pathological mindset, it will do until a better one comes along.

Yitzhak Rabin, whose assassination by a Jewish right-wing extremist is being remembered this week in Israel, did not take much of a different view of this mindset. On the occasion of his inauguration as prime minister in 1992, Rabin told Israelis in his Knesset inauguration address that Israelis are militarily powerful, and neither friendless nor at risk. He urged that they stop thinking and acting like victims.

In my op-ed, I compared Rabin's self-confident, proud and open-to- the- world attitude to that of Prime Minister Benjamin Netanyahu, who hammers away at the message that the whole world is against Israel and that Israelis are at risk of another Holocaust -- a fear he invoked repeatedly during his address in September at the United Nations General Assembly in order to discredit Judge Richard Goldstone's Gaza fact-finding report.

Burston writes that I consider Israelis "venal, deceitful, the source of the conflict and the obstruction to its solution."

I challenge Burston to cite a single instance of my having touched on the subject of the "venality" of Israel's leaders (i.e. that they can be bought with money) in any of the hundreds of columns I have written over the past forty years, although it is a subject that Israeli columnists have had a field day with. I have avoided it entirely, because my concern has been the damage that Israel's occupation policies and its denial of the human rights and national rights of the Palestinian people are doing to Israel's ability to survive as a Jewish and democratic state.

It is not true, as Burston claims, that I said Israelis lie when they tell pollsters they favor peace. I said that when the peace they favor is for all practical purposes defined as requiring Palestinians to accept the status quo, that is not a choice of peace over territory.

Yes, I have repeatedly written about the deceitfulness of proclamations by Israeli governments about their commitment to a two-state solution. The relentless pursuit by these governments of the settlement enterprise can only be understood as a commitment to prevent such an outcome. For years, successive Israeli governments have solemnly promised, again and again, to remove all "illegal" outposts and settlements (which, even if they had done it, would hardly have made a dent in the settlement enterprise). They have staged the dismantlement of one or two outposts for show, and these were immediately reoccupied.

Prime Minister Ariel Sharon claimed that he removed the settlements in Gaza as a prelude to further withdrawals from the West Bank and a peace agreement with the Palestinians. But the man who negotiated the deal for President Bush's letter of April 2004 to Sharon on the subject of settlements, Dov Weisglass, told Ari Shavit of Haaretz that Sharon's real purpose was to "effectively remove this whole package that is called the Palestinian state from our agenda indefinitely."

To impress President Bush, Sharon made a big show of appointing Talia Sasson to investigate alleged rogue ministerial involvement in the financing and promotion of illegal settlements, knowing that this illegal activity was ordered and orchestrated by himself. As acknowledged publicly by various of his ministers, instructions for this illegal activity came directly from the Prime Minister's office.

And it was none other than Bradley Burston who courageously reported in one of his columns that Brigadier-General Shmuel Zakai, a former commander of the IDF's Gaza division, accused Israel's government of having failed "to take advantage of the calm [during a six-month truce agreed to by Hamas and Israel] to improve, rather than markedly worsen, the economic plight of the Palestinians of the Strip ..." Zakai added, "When you create tahdiyeh and the economic pressure on the Strip continues, it is obvious that Hamas will try to reach an improved tahdiyeh, and that their way to achieve this is resumed Qassam fire ... You cannot just land blows, leave the Palestinians in Gaza in the economic distress they're in, and expect that Hamas will just sit around and do nothing."

That is not quite the story told by Israel's government, or by Israel's media, of why the IDF had to scorch Gaza, is it?

I do not for a moment believe that Palestinians are faultless, and have repeatedly said so in my writings. But there is little that Palestinians could do - even if they were faultless - to compel overwhelmingly powerful and politically well-connected Israeli governments to accede to a viable and sovereign Palestinian state, as called for by the Road Map, with territorial changes made only by mutual consent. However, if Israeli policy had truly aimed at a two-state solution, it could and would have happened long ago. Nothing would have more encouraged Palestinian efforts to overcome their many shortcomings, or to oppose their rejectionist groups, than a credible Israeli commitment to such a state.

To blame Palestinians, rather than their occupiers, for their responsibility for remaining under a forty-year, oppressive military occupation when Netanyahu's government refuses to consider anything resembling a viable or sovereign Palestinian state, insists on retaining far more Palestinian land than was demanded by previous Israeli governments, rejects the idea of equal land exchanges, and has taken Jerusalem entirely off the table, is to add insult to injury.

If and when Palestinians achieve a state, which they deserve no less than do the Jewish people, it will be time enough to hold them accountable for their shortcomings. Until then, blaming Palestinians for their misery is nothing more than a pretext for the continuation of a colonialist enterprise that every other democracy in the world has relegated to a shameful past.

Henry Siegman is president of the U.S./Middle East Project, and a former executive director of the American Jewish Congress.

................................................................
--------
Jewish Peace News editors:
Joel Beinin
Racheli Gai
Rela Mazali
Sarah Anne Minkin
Judith Norman
Lincoln Z. Shlensky
Rebecca Vilkomerson
Alistair Welchman
------------
Jewish Peace News archive and blog: http://jewishpeacenews.blogspot.com
------------
Jewish Peace News sends its news clippings only to subscribers. To subscribe, unsubscribe, or manage your subscription, go to http://www.jewishpeacenews.net


The Nation: Progressive Problems with the Health Bill JOHN NICHOLS

Progressive Problems with the Health Bill
JOHN NICHOLS | Women's groups, patient advocates, unions and anti-corporate congressmen explain what's wrong with "reform" measure as it now stands.

Monday, November 09, 2009

w/Video: Mr. Netanyahu, Tear Down This Wall

Mr. Netanyahu, Tear Down This Wall
On the 20th anniversary of the fall of the Berlin Wall, Western leaders are full of self-congratulation. But their paeans to universal freedom ring hollow, when they bear large responsibility for another wall constricting human freedom: the apartheid wall dividing the Palestinian West Bank. Today, to mark the anniversary, Palestinians tore down a chunk of the wall near Ramallah.
http://www.justforeignpolicy.org/node/397

Video of the Palestinian action today:
http://www.youtube.com/watch?v=MaBpvauMFLU

The"New McCarthyism"--Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance

Kucinich Withdraws as Palm Beach County Democratic Keynoter Amid Uproar over His Israel Stance http://www.commondreams.org/headline/2009/11/09-2

El Museo del Barrio: New Visual Arts Programming









November 9, 2009






El Museo del Barrio



Marius de Zayas
Alfred Stieglitz
From Camera Work, Vol. 46 (April 1914, published October 1914)
Photogravure, 11 ¼ x 7 ¾ inches (28.6 x 19.7 cm)
Collection El Museo del Barrio, NY
Photo courtesy El Museo del Barrio, NY






Highlights for Fall/Winter 2009

VIVA FUTURISM! Revolution, Vanguardia, and the Modern Metropolis
Presented as part of PERFORMA 09
Wednesday, November 11, 6:30 – 8:30 pm

Alice + Carlos (heart) Havana-New York
Wednesday, December 9, 6:30 – 8:30 pm


El Museo del Barrio
1230 Fifth Avenue at 104th Street, New York, NY 10029

http://www.elmuseo.org

Share this announcement on:  Facebook | Delicious | Twitter

Following its recent reopening, El Museo del Barrio is expanding its family and adult programming, which engage a cross-section of artists, writers, scholars and critics across disciplines. Highlights from El Museo's Visual Arts Programming for Fall 2009 can be found below; additional information is available at: http://www.elmuseo.org

Multimedia Performance
VIVA FUTURISM! Revolution, Vanguardia, and the Modern Metropolis
Presented as part of PERFORMA 09
Wednesday, November 11, 6:30 – 8:30 pm, The Lobby

Swirling images and thrilling sounds - a lively audiovisual presentation inspired by Futurism and Latin American art of the early 20th century. As part of PERFORMA 09, multimedia artist Nicky Enright will present a video projection accompanying a live DJ performance. Themes of revolution and the modern metropolis will also be explored in collaboration with poets Edwin Torres, Mariposa, and Noël Jones, musicians Ernesto Gomez and Colin Rishi Connor, and Bared Soles Dance Company. Admission: FREE. RSVP required at http://www.elmuseo.org

Panel Discussion
Alice + Carlos (heart) Havana-New York
Wednesday, December 9, 6:30 – 8:30 pm, El Café

Moderated by Rocío Aranda Alvarado, Curator, El Museo del Barrio, this panel brings together filmmakers, curators, and scholars to explore the life and careers of Alice Neel and Carlos Enriquez, whose work is featured in Nexus New York: Latin/American Artists in the Modern Metropolis, currently on view at El Museo's galleries. Alejandro Anreus, Professor, Art History Department, William Paterson University; and Elvis Fuentes, Curator, El Museo del Barrio will focus on the work of Carlos Enriquez, while Andrew Neel will talk about the American artist. The panel will be followed by a screening of Alice Neel, a documentary by Andrew Neel on the artist's life. Admission: FREE. RSVP required at http://www.elmuseo.org

About El Museo del Barrio
El Museo del Barrio, New York's leading Latino cultural institution, welcomes visitors of all backgrounds to discover the artistic and cultural landscape of the Caribbean and Latin America. The richness of Latino cultures is represented in El Museo's wide-ranging collections and exhibitions, complemented by performing arts events, cultural celebrations, and educational programs. A dynamic artistic, cultural, and community gathering place, El Museo is a center of cultural pride on New York's Museum Mile.

El Museo was founded 40 years ago by artist and educator Raphael Montañez Ortiz and a coalition of parents, educators, artists, and activists who noted that mainstream museums largely ignored Latino artists. Since its inception, El Museo has been committed to celebrating and promoting Latino culture, thus becoming a cornerstone of El Barrio, and a valuable resource for New York City. El Museo's varied permanent collection of over 6,500 objects spanning more than 800 years of Latin American, Caribbean, and Latino art includes pre-Columbian Taíno artifacts, traditional arts, twentieth-century drawings, paintings, sculptures and installations, as well as prints, photography, documentary films and video.

For more information about El Museo, please visit http://www.elmuseo.org

###

Media Contacts:
For further information, images, or to arrange interviews, please contact:

Elizabeth Reina or Ben Thornborough
Blue Medium, Inc.
T: (212) 675-1800 | E: elizabeth@bluemedium.com

Inés Aslan
El Museo del Barrio
T: (212) 660-7102 | E: iaslan@elmuseo.org









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New York, NY 10002, USA

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: Echo! Echo!--Amnesty International USA





Amnesty International USA: TAKE ACTION NOW!
You may not be able to see the look on your Senators' and Representatives' faces when Amnesty International activists come knocking at their doors, but you can still make sure that your voice is heard.
Echo the chorus of Amnesty International activists calling and meeting for human rights this week!

Dear David,

We're trained, energized and ready to go! Hundreds of your fellow Amnesty International activists will sit down face to face with elected officials and their staff in their hometowns next week to discuss three major human right issues of 2010. But we need your help to amplify the message that they're sending in person.

With a few quick emails you can help to ensure that Congress votes to:
  1. Reform the broken U.S. immigration detention system
  2. Close Guantanamo Bay prison in a way that respects human rights
  3. Protect the dignity and fundamental human rights of women
If we stand together – online and in-person – then we can ensure that Congress hears us and responds. You may not know that many Congressional offices actually count each week how many emails and letters and calls that they receive on a particular issue, but they do!
A detained immigrant visits his son

Our activists are going to need all the help they can get in convincing Senators and Representatives to side with human rights. You can support our team on the front lines, and ensure your officials hear our voice, by taking action online!

We've seen the difference that our activists can make when they go face-to-face with decision makers. Just this past summer, support in Congress more than tripled for reforming the immigration detention system after our activists stormed Capitol Hill and their local offices. Imagine the difference we can make when we conduct visits this time!!

Elected officials respond when we show our numbers. Help us send a big wake-up call to Congress – flood their inboxes while our activists send the message in-person.

When we join together, we make the biggest difference.

Chris McGraw  

Thank you for your support,

Chris McGraw
Grassroots Advocacy Program Director
Amnesty International USA



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Visual Poetry: Sérgio Monteiro de AlmeidaL new ebook on line

I am sending you the address of my visual poetry e-book please distribute to your contacts and send me your impressions.
http://issuu.com/boek861/docs/sergio_monteiro_libro
Send me news
Sérgio Monteiro de Almeida

Take Action: Stop Supporting Israel's Apartheid Wall!





7th Annual Week Against the Apartheid Wall

 

Dear david,

Twenty years ago today the Berlin Wall fell.  Now, join human rights advocates around the world in calling for an end to Israel's apartheid wall.

Israel's wall is approximately three times longer than the Berlin Wall, with concrete, razor wire, and a no-man's-land stretching over 400 miles, often confiscating Palestinian land miles past the "Green Line" in the West Bank.  In some places the wall is a 25 foot tall concrete monster complete with guard towers.  This is the wall that completely surrounds the Palestinian city of Qalqiliya, and is also common in Jerusalem, where it ghettoizes Bethlehem, and stops streets short in neighborhoods like Abu Dis.  The other common form that the wall takes is a 230-330 foot wide "buffer zone" that includes a maze of trenches, patrol roads, razor wire, and high-tech surveillance equipment.  In either case, the wall is built almost entirely on confiscated Palestinian land.  In many places, preparation for the wall includes the Israeli military demolishing Palestinian homes and uprooting orchards that have been in tended by Palestinians for centuries.  In 2004, the International Court of Justice declared Israel's apartheid wall illegal due to the fact that is built on confiscated Palestinian land.

Tell Caterpillar that complicity in Israel's wall is criminal

 

Tell the media that all walls must fall

 

Educate your community with our stop the wall resources




Many U.S. based corporations, including Caterpillar are profiting from Israel's immoral and illegal wall. Caterpillar directly profits from CAT equipment being used to demolish Palestinian homes and orchards in the path of the wall and in the actual construction of the wall. The picture to the left shows specialized CAT machinery laying razor wire along a portion of the wall. Click here to demand an end to Caterpillar's support for Israel's apartheid wall.


Spread the Word

Get the message out that Israel's wall must also fall by participating in our media day of action! We're coordinating a day of blogging, writing letters to the editor and op-ed pieces about Israel's wall. Today's newspapers will be filled with articles commemorating the fall of the Berlin Wall, which gives us a great opportunity to write letters to the editor to draw connections between the Berlin Wall and Israel's apartheid wall. Click here to access our media toolkit for tips and resources on how to take action. You can also click here to join our Twitter action today!

There are many other ways to educate your community about the need to bring down Israel's apartheid wall. This week is the 7th annual week of action against the apartheid wall. Click here to use our stop the wall resources to organize a film screening, vigil, or teach-in in your community. Check our calendar for events across the country.

US Campaign to End the Israeli Occupation

DONATE | SUBSCRIBE | UNSUBSCRIBE

­


Telling it like it is - UK style




David

I don't have a clue about UK politics
but one thing I like about them is
that the Prime Minister has to stand
there and take EXTENDED public
criticism...

And these guys know how to dish
it out.

Video:

http://www.brasschecktv.com/page/732.html

- Brasscheck

P.S. Please share Brasscheck TV e-mails and
videos with friends and colleagues.

That's how we grow. Thanks.

==============================



Brasscheck TV
2380 California St.
San Francisco, CA 94115

To unsubscribe or change subscriber options visit:
http://www.aweber.com/z/r/?zAxs7OwctMwczGzsHKwctEa0rGwcnKxsrA==


Marc Veryat: i-légal



---------- Forwarded message ----------
From: Marc Veyrat <imateriel@free.fr>
Date: 2009/11/9





Pour faire suite à la conférence de Damien Béguet "Artiste ou entreprise : l'image que l'on mérite" présentée
durant la 2ème semaine de l'entreprise de l'iMUS et toujours dans le cadre des conférences i>Médias 09-10


Antoine Moreau the Copyleft Attitude

"le copyleft appliqué à la création hors logiciel"
le 
jeudi 12 novembre à 18h00
à l'ECM des Carrés
entrée libre



partenaires ©box : 
CITIA, IMUS, IREGE, Région Rhône-Alpes, DRAC Rhône-Alpes, ODAC, Cité du Design
+ ECM des Carrés > MJC des Carrés, Avenue des Carrés, F-74941 Annecy-le-vieux +


: Extra City – Kunsthal Antwerpen presents Daniele Huillet & Jean-Marie Straub








November 9, 2009






Extra City – Kunsthal Antwerpen



Jean-Marie Straub & Danièle Huillet
Antigone, 1991
Courtesy Cineteca Bologna




Of A People Who Are Missing

Exhibition and Ciné-Club
On films by Danièle Huillet &
Jean-Marie Straub

November 13 - December 20, 2009


Extra City – Kunsthal Antwerpen
Tulpstraat 79
2060 Antwerp – Belgium
info@extracity.org

http://www.extracity.org

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The 'Straubs', as Danièle Huillet and Jean-Marie Straub are often called, are among the most outstanding, and yet widely unknown contemporary filmmakers in the history of cinema. Jean-Marie Straub and Danièle Huillet worked together for over 40 years until Danièle Huillet's death in October 2006. Since the early 1960s their radical approach towards filmmaking allowed them to create almost 30 very diverse films; they treated and transformed literature by Kafka, Pavese and Hölderlin, as well as the paintings of Cézanne, cantatas by Bach and operas by Schönberg.

The filmmakers constantly questioned the possible transformation from one medium to an other, such as literature, painting and music into film, as a process of re-reading, re-inventing or readjusting of meaning. If there is such a thing as a 'Pédagogie straubienne' (as Serge Daney once hinted), the project Of A People Who Are Missing follows the question: what can be learned from their films today? Is it possible to translate their precision which seems so deeply connected to and conditioned by the methods of analog film production, into what is usually conceived as the age of digital image production, and if so, under what terms?

Huillet and Straub categorically refused to offer any kind of interpretation that might ease or facilitate access to the artwork or so-called original. Instead, their focus on the act of speaking, always in very specific circumstances, opens up a multitude of possible interpretations; this marks precisely the peculiarity of their films. Through the speech-act the moving images change one of their most essential properties and they become no-one's property.

No-one's property is the opposite of what pretends to belong to everybody - no matter whether it is communicated, participated in or otherwise shared. In this sense one can also understand the remarks that Gilles Deleuze repeatedly put forth in his books on cinema: the films of the 'Straubs' are made for a people who are missing. 'A people' needs to be invoked rather than represented or addressed. 'The people no longer exist, or not yet...'.

The phrase 'a people who are missing' is taken from the only public lecture Paul Klee held in 1924 in the Kunstverein Jena: Uns traegt kein Volk. Instead of embellishing the splendid isolation of the artist, such a people who are missing need to be understood literally and Jean-Marie Straub once suggested dedicating his movie The chronicle of Anna Magdalena Bach to the Vietcong.

Of A People Who Are Missing will open in Extra City from 12 November to 20 December as a platform for both the viewing and making of films. The ciné-club and exhibition space will be structured around five studios which will act as showrooms, as well as independent production spaces. Each studio is to be used in a different configuration of archive material, film excerpts, actual footage and the critical discourse around it. Every Thursday to Saturday, one studio will host invited guests and contributors for presentations, lectures and debates as well as a series of screenings of 35mm and 16mm film.

Among the contributors are: Chantal Akerman, Pietro Bianchi, Manon de Boer, Robert Bramkamp, Vanessa Brito, Giulio Bursi, Rinaldo Censi, Anna Fiacciarini, Jack Henrie Fisher, Peter Friedl, Kim de Groot, Romano Guelfi, Tim Liebe, Armin Linke, Laura Malacart, Ines Schaber, Sally Shafto, Eyal Sivan, Benoît Turquety, Barbara Ulrich, Klaus Volkmer, Susanne Weirich.

Detailed program at: http://ofapeoplewhoaremissing.net http://www.extracity.org

Of A People Who Are Missing is a collaboration of Extra City – Kunsthal Antwerpen and Jan van Eyck Academie, Maastricht, in cooperation with University of Fine Arts of Hamburg. With the support of Multitude e.V. and Time Festival, Ghent.

Curated by Florian Schneider and Annett Busch.


Opening in January 2010
Animism

22/01 - 02/05/2010
The exhibition and publication project Animism is a collaboration between MuHKA and Extra City Kunsthal Antwerpen, in cooperation with the Kunsthalle Bern, the Generali Foundation Vienna, the Haus der Kulturen der Welt Berlin and the Free University Berlin.

Extra City – Kunsthal Antwerpen
Tulpstraat 79 – 2060 Antwerp – Belgium http://www.extracity.orginfo@extracity.org Special opening hours during Of A People Who Are Missing: Thur – Sun 14.00 – 19.00 Guided tours on request

Press contact: Lotte De Voeght - lotte.de.voeght@extracity.org - T +32 3 677 16 55









41 Essex street
New York, NY 10002, USA

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wings are giving out - a new collection of poetry from sean burn



---------- Forwarded message ----------
From: sean burn <burn.sean@googlemail.com>
Date: Mon, Nov 9, 2009 at 7:31 AM
Subject: wings are giving out - a new collection of poetry from sean burn
To: sean burn <burn.sean@googlemail.com>


 wings are giving out : sean burns 3rd full length collection from skrev press (www.skrevpress.com) is launched this weekend. (see attached e-flier). wings are giving out (isbn 978-1-904646-56-3) contains long poems commissioned and toured across this past decade. inside you will find voltaire as a 300 year old tyneside barista, riffs on free-improvising pianist marilyn crispell, responses to some of eva švankmajerovás many amazing and provocative surrealisms, an exploration of mental distress and recovery, love and loss, ultimately revealing pearls within the city and crossing the borders between poetry and song.


this collection and other skrev press titles will be launched on Saturday 14th of November from 16:45 - 19:30. Artsmill at Linden Mill. Linden Road. Hebden Bridge. West Yorkshire. HX7 7DN

sean burn is one of this country's foremost experimental writers. ... he draws on a wide range of contemporary cultural sources, often from other writers, artists and musicians who like him are on the margins or from the 'underground', and he also draws from histories, political, social and personal, including his own, and this gives much of his work the potency of felt experience which so many who work in a similar vein, lack. jeremy hilton – editor of fire

sean is available for spoken word / multimedia performances. further information at www.gobscure.info



Sunday, November 08, 2009

Real Art Ways presents Rockstone and Bootheel: Contemporary West Indian Art









November 8, 2009






Real Art Ways




Rockstone and Bootheel:
Contemporary West Indian Art

November 14 - March 14, 2010

Opening Reception: Saturday, November 14, 3-6 PM

With Christopher Cozier's temporary sound installation, Sound System, and a performance by Zachary Fabri.


Real Art Ways
56 Arbor Street
Hartford, CT 06106
860.232.1006
http://realartways.org

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Real Art Ways presents some of the most challenging, recent work by artists from the Anglophone Caribbean and the diaspora in Rockstone and Bootheel: Contemporary West Indian Art, curated by Kristina Newman-Scott and Yona Backer. The exhibition evokes the feeling of a high-energy "mash up." The works are juxtaposed in conversation with each other to reveal complex, fragmented stories about contemporary Anglophone Caribbean culture, challenging common assumptions about West Indian artistic expression.

The name comes from a Jamaican dub-metal song, "Rockstone and Bootheel," by Gibby. It's a colloquial phrase that means "taking a journey." Rockstone and Bootheel is, in fact, an exhibition composed of many journeys, sometimes conflicting, all influenced by the social, political, and economic conditions of life in the West Indies and the diaspora. "West Indies" refers to a group of islands in the Caribbean formerly under British control.

The exhibition focuses on artists from the Bahamas, Barbados, Jamaica, and Trinidad & Tobago, all former British colonies, each with a distinct artistic presence. Rockstone and Bootheel offers a snapshot of recent works that draw from the region's popular culture and history. Rather than make the case for a particular West Indian aesthetic, the exhibition offers a lively glimpse into contemporary Anglophone Caribbean visual practice - an energetic "mash up" of art that lies at the intersection of popular and urban culture. Many of the works in Rockstone and Bootheel incorporate sound and performative elements, drawing from Carnival, Jamaican Dancehall, and other dominant subcultures.

The works also tell stories of the region's complicated history, a history filled with conflict, transformation, and cross-cultural exchange. Through their work, the artists address issues including gender, race, sexuality and homophobia, and the rampant crime and violence plaguing many of the islands' inner cities.

The exhibition features large-scale installations, new media and multi-disciplinary works, digital projections, music videos and large- format photographs. Also featured are assemblage sculptures, paintings, live performances, and an offsite public art project by Karyn Olivier.

The 39 participating artists are Akuzuru, Ewan Atkinson, Lawrence Graham-Brown, Renee Cox, Christopher Cozier, Blue Curry, Sonya Clark, Makandal Dada, Annalee Davis, Khalil Deane, Zachary Fabri, Joscelyn Gardner, Marlon Griffith, Satch Hoyt, Christopher Irons, Leasho Johnson, Ras Kassa, Jayson Keeling, O'Neil Lawrence, Christina Leslie, Simone Leigh, Jaime Lee Loy, Dave McKenzie, Wendell McShine, Petrona Morrison, Karyn Olivier, Zak Ové, Ebony G. Patterson, Omari Ra, Peter Dean Rickards, Nadine Robinson, Sheena Rose, Oneika Russell, Heino Schmid,Phillip Thomas, Adele Todd, Nari Ward, Jay Will and Dave Williams.

Richard Rawlins, artistic director for CMB creative and founder of Draconian Switch, will create an interactive website and catalog for the exhibition's international audience.

A schedule of film screenings, readings, performances, live music, artist talks, lectures, and community-based activities to accompany this exhibition is forthcoming.

Support
Rockstone and Bootheel is made possible by generous support from: The National Endowment for the Arts, The Connecticut Commission on Culture and Tourism, The Edward C. and Ann T. Roberts Foundation, Real Art Ways members, The J. Walton Bissell Foundation, The Andy Warhol Foundation for the Visual Arts, The Greater Hartford Arts Council's United Arts Campaign, Travelers, The Hartford Foundation for Public Giving, Sandy and Howard Fromson, Robinson and Nancy Grover, The Wallace Foundation , Lincoln Financial Group , and Gary E. West.

About Real Art Ways
Real Art Ways is one of the leading contemporary arts organizations in the United States, with a record of linking artists, innovation and community. Programs include visual art exhibitions, public art projects, and artist presentations; cinema, with independent and international films 7 nights a week; music; performance; literary events; community and educational programming.

Press contact: Abigail Ohlheiser (aohlheiser@realartways.org)









41 Essex street
New York, NY 10002, USA

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